Feeds:
Posts
Comments

Archive for the ‘Fashion’ Category

amelia-earhartWhen I’m flying in my little plane, I usually wear a sports costume with a rather full skirt and a close-fitting hat. Sometimes I slip a leather windbreaker on under my coat, for the temperature drops as one ascends.  … Usually on a solo flight, I wear low-heeled shoes, because with low heels it is easier to keep my feet braced on the rubber bar … On the Friendship flight … the trip was pioneering one, and comforts were not thought of. For instance, there was no step from the pontoons to the door, and I couldn’t have jumped into the plane in a skirt. Further … we had dumped everything to sit on, to save weight. Squatting on a rolled flying suit, or kneeling on one knee, or sliding between the large gas tanks wouldn’t have left much of ladylike ensemble.

Amelia Earhart (1897-disappeared 1937), pilot and first women to fly solo across the Atlantic. This quote is from an essay Ms. Earhart wrote for Harper’s Bazaar in 1929.

Ha! And we think we have it hard flying these days.

Ms. Earhart created her own style for flying, which often included trousers, button down shirt topped with a leather jacket and a scarf. Looking at photos it seemed she felt more comfortable in sporty attire than the more traditional feminine frocks of her era.

Speaking of flying and attire, as I get ready for traveling this week I’m pondering what to wear in flight. It is tough in these days of overcrowded airplanes balancing comfort with looking presentable. Anything tailored is too restricting, skirts are impractical for sitting, and who wants to risk our really nice pieces of clothing to the grit and grim of airline seats?

I usually go simple in corduroy pants and a long-sleeved cotton t-shirt. I add a scarf and my trusty beret for a little chic factor – accessories can upgrade any outfit. Outerwear might be my tweed coat or this time of year I think I’ll go with a puffer vest. Oxfords rather than sneakers also keep the look sharp. (Although, sneakers are looking pretty darn fashionable lately.)

How about you, my fashionable readers? How you do manage to look nice and stay comfortable while flying? Vintage-loving readers, how do you keep vintage while traveling?

Please share your thoughts by leaving a comment.

 

Read Full Post »

IMG_20170406_180125834

This quintessential hippie look is not usually my style but I was immediately drawn to it, particularly the denim skirt. I think perhaps because of my recent adventure into sewing, I see clothing a little differently.

IMG_20170406_184212208I’m inspired by the idea of reuse and patching denim pieces to create something new. But even more exciting to me is the exposed hand stitching in various bright colors. There is something very charming about that.

In our modern era of massed produced fast fashion it’s exciting to see handcrafted clothing that people took time with and cared about.

Find some Summer of Love favorites for yourself at The Summer of Love Experience: Art, Fashion, and Rock & Roll on now through August 20, 2017 at the de Young Museum, San Francisco.

Be there or be square!

 

Read Full Post »

IMG_20170406_180937565

Recognize this hat? It dates back to circa 1857 and was made by hatters Dunlap & Co. The patriotic paint job is thought to have been added in the 1930s. (Perhaps for an Uncle Sam costume?)

IMG_20170406_181414931

Grateful Dead’s first album, 1967.

But it was Jerry Garcia of the Grateful Dead that made this chapeau famous. The story goes that he donned the hat one day for some photos taken at the old Spreckles Mansion. Those photos ended up on the band’s first album cover and after that the hat, for some unremembered reason, became known as The Captain Trips Hat.

Later, Garcia gave it to some friends who owned a boutique on Haight Street. In 2014 it was put up for auction with Christie’s.

What I like about The Captain Trips is the playful patriotism. Creative, fun, and anything but square.

Check back tomorrow for the next pic from The Summer of Love Experience.

 

 

Read Full Post »

IMG_20170406_175756811

This is a suede coat in maroon from 1970. Suede was really popular back then, used for coats, vests, and handbags.

I love the color and the trim fit makes it super chic. The details are sharp – note the tucked shoulders and wide lapels in a contracting neutral color.

The coat is paired with what was called at the time, decorated denim. It was the done thing to piece together various denim swatches creating a new look. Beads, patches, and embroidery were also used. The pant leg hems are left raw, which is a trend happening today, as is decorated denim but we’re calling it embellished.

One of the aspects of fashion that I’m attracted to in this era is the use of vintage. There was a mixing up of styles from past decades including the 1920s, as we see here with the cloche hat. I like the creativity and uniqueness of combining modern with vintage.

Come back tomorrow for another favorite look from The Summer of Love Experience: Art, Fashion, and Rock & Roll.

 

Read Full Post »

IMG_20170406_201618

Sporting pink flowers in an up-swept hairdo, Dede Wilsey, San Francisco Arts Museums Board Chair shared her memories of The Summer of Love in opening remarks to the press for the preview of The Summer of Love Experience: Art, Fashion, and Rock & Roll.

“I was an infant at the time but extremely sophisticated,” she said with a wink in her voice. Mrs. Wilsey arrived in San Francisco as a young adult in 1965, when, she says, Haight-Ashbuy was more pure in spirit with no homeless and no crime. Young people gathered “… sitting in the sun with flowers in their hair soaking it all up.” You could go to the famous corner and get your picture taken to send home, perhaps to rather worried parents.

San Francisco is celebrating the 50th anniversary of the Summer of Love and the de young Museum is offering an exhibition that gives us a peek back to that magical time unique to our city.

IMG_20170406_180717200

Hand crochet and knit were popular looks of the era.

 

In the mid-1960s, artists, activists, writers, and musicians were heading to the Haight-Ashbury neighborhood attracted by cheap rents. In 1967 the area was home to over 100,000 young people from all around the country. They began to form their own community using nearby Golden Gate Park as their hangout spot. This was a time of developing changes in politics, art, fashion, and music with hippies, as they were called, working together on their shared beliefs and aesthetics.

The Summer of Love Experience exhibits more than 300 cultural artifacts of the time, including Rock & Roll posters, photographs of people in the neighborhood, and fashion, much of which is from the museum’s permanent collection but there are also key pieces on loan from private collectors.

IMG_20170406_174451684

Hippies were interested in all things anti-establishment, particularly in how they dressed. The look was about natural and hand-made with influences from Native America, the Wild West, and vintage. Jill D’Alessandro, curator of textile and costume at the Fine Arts Museums of San Francisco, pointed out that during that time the Western Addition neighborhood was getting redeveloped; long-time residents of aging Victorian buildings were forced to move and that resulted in piles and piles of vintage clothing showing up at thrift stores selling for next to nothing.

This dubious serendipity contributed to the unique fashions we see in this exhibit, many of which I can imagine wearing today. Local designers of the era included Jeanne Rose, Birgitta Bjerke, Mickey McGowan, and Burray Olson. Their approach was hand-made and re-purposed working with denim, leather, embroidery, beading, knit, crochet, and tie-dye. Designers and non-designers alike were influenced by, and reusing, the Victorian and Edwardian treasures they were collecting from establishments such as The Third Hand Shop, which was one of the first to embrace the vintage resale market.

IMG_20170406_174933188

Morning Glory silk blouse and Snake knit pants by Jeanne Rose.

Jeanne Rose, who has lived in the Haight since 1964, put together costumes for local bands, designed her own clothing, and hung out with Janis Joplin. Several of her creations are part of this exhibit including a knit pair of pants and a silk blouse she calls Morning Glory. I ran into Jeanne while we walked the exhibit and she told me that she wore this one herself and it is among her favorites, pointing out the beauty and grace of the sleeves on the blouse. She exclaimed, “I love it.”

Most of the galleries include displays of both men’s and women’s clothing making this a wonderland for fashionables, particularly those interested in fashion history. Added bonus – in some cases the mannequins are close enough to get a good view of construction.

Groovy music from Janis Joplin, The Grateful Dead and other Bay Area bands play in the background to set the mood. If  you’re up for trippin’ head to the room with psychedelic lighting and beanbag chairs.

IMG_20170409_123337

A small slice of the Poster Room.

 

The Summer of Love Experience: Art, Fashion, and Rock & Roll is on now through August 20th, 2017 at the de Young Museum in San Francisco.

Wait there’s more! Each day this week I’m posting a different photo from this exhibit to take a closer look at some of my favorite fashion pieces. So, check back … better yet, subscribe (button top right) and get an e-mail alert with every new post on OverDressedforLife.  Ooh man, that’s far out!

 

 

 

Read Full Post »

hqdefaultAnd the winner is … Grape Leather! That was my vote.

WWD announced the winner this morning. The Italian team behind the idea of reusing grape wine waste for leather will receive $320,000 from the H&M Foundation.

Leader of Grape Leather, Rossella Longobardo says: “Our first objectives will consist in switching from a pilot to an industrial scale production of our fabric and starting a green, cruelty-free revolution within the leather industry, finally solving its related issues and overexploitation.”
This is very exciting. I’m looking forward to the revolution!
Congratulations to Team Grape Leather and to all the winners.

Read Full Post »

IMG_20170325_143802082As many regular ODFL readers know, last year I embarked on a journey learning to sew. I took four classes and made a pair of pants, a knit dress, an a-line skirt and … ta da … a cape!

It’s not a superhero cape but, I am a superhero for finishing it!

Yikes what a challenge. I started the project in November and just now finished. Full disclosure – I had my seamstress do the buttonholes. But I cut and stitched (by machine and by hand) every inch of the rest of it and let me just say, it was a challenge.

There were some starts and stops, thanks to the holidays and winter maladies. As well as me just not wanting to work on it. I do think this project was cursed. Right from the start I had problems – cutting the fabric took me twice as long. (I like to blame Trump because I was so upset and distracted by his presidential win, I found it hard to concentrate.)

IMG_20161103_084014163The cape came about in the first place from my visit to the UK last fall. At  Cordings in London, I saw some lovely capes in tweed and got inspired. Convinced I could make my own, once I arrived home I found a Vogue pattern and brownish tweed in a lightweight wool.

IMG_20161209_133847477_HDRThe project offered several new tasks for me: lining, a collar, and buttonholes. Undaunted was I!

Turns out the collar was the easiest. The lining was a pain because I bought traditional lining fabric, which is nice now that it’s in, however, it slipped and slid and made sewing tricky.

What frightened me beyond reason was the buttonholes. I practiced over and over, getting the hang of it but also realizing that these holes had to be spot on or the cape would be ruined. Also, as my friend pointed out, home sewing machines don’t make very nice buttonholes. After many weeks of avoidance and lots of guilt-tripping myself I decided to let it go and contacted my seamstress.

She did the buttonholes (so nicely), I sewed on the buttons (vintage glass, BTW) and the cape made its debut on a Saturday evening out.

This was the hardest project so far and it feels like a big accomplishment, even though I outsourced the buttonholes.

Sometimes the lesson is: Call the seamstress!

 

 

Read Full Post »

Older Posts »