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Posts Tagged ‘Christine Suppes’

Cameron Silver. Photo courtesy of Frederic Aranda.

It’s so much fun. It’s couture. It’s reference. It’s memories. Everything is disposable now. Ownership is nothing. People take selfies at stores pretending that they have bought something. Clothes are actually representing the way you live.

Cameron Silver – celebrity stylist, fashion director of H by Halston, and owner of Decades, the renowned vintage clothing store located in Los Angeles.

This quote is from the book California Elegance: Portraits from the Final Frontier, by Christine Suppes, photographs by Frederic Aranda (Mondadori).

Through photographs and interviews California Elegance takes an up-close look at some California originals. People such as the fashion design duo Kate and Laura Mulleavy, sculpture artist Ruth Asawa, and cryptologist Whit Diffie. People in business, tech, retail, PR, farmers, artists, activists, scientists, even an aromatherapist! Covering up and down the coast and inland as well, Suppes and Aranda introduce readers to a diverse group of Californians highlighting what makes the Golden State truly unique.

In his quote about vintage clothing, Silver makes a few interesting points. I agree that vintage is about memories. A personal memory or a general memory of time and place and what was going on in the world, say when miniskirts were all the rage during the Vietnam War. Disposable clothing takes with it to the dump both our personal and general memories. How sad to not be able to pull out a sweater and instantly revisit a particular moment, day, or event in our lives. Clothing is another keeper of personal stories, like a photo or a journal.

I didn’t know about people taking selfies at boutiques, but I’m not surprised. It seems these days it’s all about costume and pretending and living our lives for and on social media. Take a selfie, post it, and then move on to the next “experience.”

There’s a trend now for renting rather than buying and I understand that’s an attempt to address the issue of sustainability. We can rent furniture, clothing, accessories and so on. But where’s the fun in that? If I like a chair or a dress or a handbag I want it in my life permanently. I want it to figure in my story, because what we own and wear and use is a part of who we are and how we live our lives. We don’t have to own a lot of things, but a few important quality pieces that make us happy to me is essential.

Thank you to Cameron Silver for a great quote. Thank you also to Christine Suppes and Frederic Aranda for granting ODFL permission to use the quote and photo.

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Photo by Ulysses Ortega.

I didn’t just want to be someone who bought clothes. I wanted to learn about them. So, I collected them, wrote about them, and have had a life of helping to get exhibitions off the ground.

Christine Suppes – fashion collector and the author of the book Electric Fashion (Skira), which is a photo documentary of her couture collection. Photos by fashion photographer Frederic Aranda.

This quote is from the article, The Collector’s Eye, by Alison S. Cohn, in Harper’s Bazaar, Dec. 2022/Jan. 2023.

Suppes, a resident of Palo Alto, CA recently donated more than 500 pieces of her couture fashion collection to the Fine Arts Museums of San Francisco. Her donation includes pieces by Christian Lacroix, Yves Saint Laurent, and Balenciaga. (And you heard it here first, in January 2024 the de Young Museum, inspired by Suppes donation, will open a fashion exhibition featuring the legacy of some of the Bay Area’s most fashionable women both past and present.)

As a member of Costume Society of America, I have heard and read discussions about museums accepting fashion donations. Should they? What should they accept? How and where will they preserve the clothing? It goes hand in hand with the general discussion over whether or not fashion belongs in museums at all. The biggest and much debated question – is fashion art?

The truth is fashion exhibits bring in money – especially those that include popular designer names. I would venture so say that a collection of couture clothing would be welcomed at any museum.

When I was in Seattle a few years ago for a fashion history conference, I attended a fashion exhibit at The Museum of History and Industry. This regional-focused exhibit, called Seattle Style: Fashion/Function, highlighted vintage and modern clothing owned by local people mostly purchased from local department stores and boutiques. It was by no means a spectacle exhibit and that’s why I enjoyed it so much. The fashions on display gave us a peek into what the people of Seattle wore in sunny weather and in rain; to the theater; to the 1962 World’s Fair; or just to work and the grocery store. Regional style, dictated by weather, culture, and tradition, is a fascinating subject and as much as I enjoy “big fashion” and the impeccable crafting of couture, I’m also interested in everyday fashion, particularly from past eras.

I’m looking forward to the upcoming de Young fashion exhibit and learning how Bay Area style is perceived.

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