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Posts Tagged ‘fashion industry’

Here’s a little story about how I found My Mrs. Brown: A month or so ago I was at my public library looking in the Fiction section for George Orwell’s novel, 1984. Affected by the current state of the world, I had an unexplainable desire to reread this dystopian classic. To my surprise there were no copies on the shelf. (Were other readers of the same mind?) So, I perused the other titles nearby and I swear this smaller-than-average blue book popped off the shelf and into my hands. My heart beat a little faster as I looked at an illustration of a dress form on the cover. Could it be? Might I have stumbled upon fashion in fiction? Indeed I had!

It’s rare to find fashion in fiction and My Mrs. Brown, written by former Vogue editor William Norwich, is a treat for its fashion detail among other things.

Middle-aged Mrs. Brown lives a modest life in a small town in Rhode Island. When she volunteers to help inventory the belongings of the town’s recently deceased Grand Dame, she comes upon a black dress suit (a dress with a matching jacket) that will change her life. The simple but exquisite suit was designed by Oscar de la Renta and once she set her eyes it she was captivated. After reading the novel Mrs. Harris Goes to Paris, the story of a woman quite like our heroine who travels to Paris to buy herself a Dior gown, Mrs. Brown is inspired to travel to NYC and buy her own dress suit by Oscar de la Renta. Never mind that it cost thousands of dollars that she doesn’t have. Where there’s a will (and many good Samaritans) there’s a way.

My Mrs. Brown is described as a fairy tale. I call it a quiet story. There are no superheroes fighting off violent villains, no crass language, no drug-addiction. There is no darkness, although, there is timeless reality such as sadness, jealousy, and death. We also have (oh my gosh!) pleasant characters, a charming story of persistence and courage, and a nod to the everyday woman with a reasonable desire to own something lovely and stylish. Mr. Norwich creates a nostalgic small town with a main street and residents who actually know each other and spend time together. It has such an old-school vibe that I had to remind myself more than once that this was a story set in present day and I wondered if the author was hinting of a certain provincial quality to New England. But this sleepy Rhode Island town is also a handy contrast to hectic New York City, which is featured in the later part of the book.

As for fashion detail, Mr. Norwich seamlessly weaves in details of clothing, style, and the lifestyle of those in the biz. He knows the world of fashion and pulls it in as part of the story, but at just the right balance. For someone like me, that’s candy! Dark chocolate See’s candy.

I truly enjoyed My Mrs. Brown and the opportunity it allowed me to escape our increasingly uncivilized world and step into an uplifting story where a quiet, unassuming character is the winner.

We need more books like this.

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11c3e166487071f95963f05fed3b8721--lucinda-chambers-style-unique-fashion-styleThere are very few fashion magazines that make you feel empowered. Most leave you totally anxiety-ridden, for not having the right kind of dinner party, setting the table in the right kind of way or meeting the right kind of people. Truth be told, I haven’t read Vogue in years. Maybe I was too close to it after working there for so long, but I never felt I led a Vogue-y kind of life. The clothes are just irrelevant for most people – so ridiculously expensive. What magazines want today is the latest, the exclusive. It’s a shame that magazines have lost the authority they once had. They’ve stopped being useful. In fashion we are always trying to make people buy something they don’t need. We don’t need any more bags, shirts or shoes. So we cajole, bully or encourage people into continue buying. I know glossy magazines are meant to be aspirational, but why not be both useful and aspirational? That’s the kind of fashion magazine I’d like to see.

Lucinda Chambers, former fashion director at British Vogue.

Last week Vestoj online magazine posted an interview with Ms. Chambers in which she discusses how she was abruptly fired from her position at British Vogue by the new editor, Edward Enninful. She had worked at the publication for 25 years. She says it took Mr. Enniful three minutes to fire her.

Since the interview first ran it was taken down once, re-posted, and then edited as requested by Conde Nast.

As a fashion magazine reader myself, I find what Ms. Chambers says quite interesting. Many people have issues with fashion mags – I’ve heard friends of mine make similar comments. I understand her point, but I have a different view.

To me they are guides for what the trends are and inspiration for a little DIY. Yes, the brands advertised and fashions highlighted are way too expensive but that’s where creativity kicks in. The models are too skinny and photo-shopped but actually, I don’t look at the models. I focus on the clothes and how they’re styled. I don’t live a Vogue-y lifestyle but I don’t feel bad about that. Nor am I driven to buy the latest anything. Fashion magazines offer a study of current fashion and I’m thankful they’re out there. I find them informative, artistic, and entertaining. (Plus they provide excellent material for collages.)

I think it’s important for readers to keep these magazines in perspective. What’s portrayed is not real. It’s fantasy. Most people cannot afford the clothes and the even the models don’t look like “the models.” Let’s not take it too seriously or personally.

Having said that, I also must say that I am fully aware that the fashion industry is not a nice place. It’s a corporate-run, greedy business that sadly, is harming our environment. Lots of people are exploited from designers to factory workers. Although it looks from the outside to be a glamorous world in which to work, it’s not really. Fashion is tough, it’s cut throat and unforgiving. Ms. Chambers says, “You can’t afford to fail in fashion.”

I applaud Ms. Chambers for speaking out and I look forward to what she does next. Perhaps a book? Or her own fashion publication – one that is useful, empowers and inspires.  I’ll subscribe!

 

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wethepeople

The fashion industry has always been a reflection of what America is all about … inclusion and diversity. It will continue to stand by these standards. I am personally horrified to see what is going on.

– Diane von Furstenberg, Belgium-American fashion designer.

This quote is from an article in The Business of Fashion by Imran Amed.

For Mr. Amed’s article many fashion industry professionals were asked to comment on Trump’s recent executive order to halt the current refugee program and (temporarily) ban travelers from seven Muslim countries from entering the United States. Ms. von Furstenberg and Steven Kolb, chief executive of CFDA were the only ones willing to make a comment. Others declined to say one word.

Isn’t that rather odd considering the outrage expressed around the country and around the world? CEOs from Apple, Facebook, Starbucks, and Nike just to name a few, are all unafraid to take a public stand against Trump’s actions.

Why so quiet on the fashion front? I surmise that (assuming most designers actually disagree with Trump) they might be afraid to alienate Trump supporters, many of whom could be their customers. Let’s not forget that Kellyanne Conway was sporting Gucci at the inauguration. Brands such as Isaac Mizrahi and Lori Goldstein sell on QVC, a magnet for middle-of-the country shoppers. Also, Trump’s daughter, Ivanka is an influential member of the fashion biz.

It could be that designers and corporate brands are nervous about offending all the wrong people (customers and Trumps). If they say nothing, they’re safe.

But SAFE is not fashionable right now. SPEAKING UP is what’s trending.

 

 

 

 

 

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