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Posts Tagged ‘fashion memoirs’

I like originality. I combine fashion and philosophy. Fashion, to me, is an art form. For it to make sense, it has to have a philosophy behind what you’re doing. Otherwise, it’s just trendy.

Patricia Field – American stylist/costume designer known for her work on Sex and The City, The Devil Wears Prada, and Emily in Paris.

This quote is from a Q&A Field did with Today.com.

Field is just out with her memoir, Pat in the City: My Life in Fashion, Style, and Breaking All the Rules (Harper Collins).

I completely agree that fashion (or style) has to have some thought behind it to be interesting. When someone buys and wears a head-to-toe designer outfit, there’s nothing of the individual reflected. But when we put together our own ensembles – mixing a vintage piece with a trendy piece, choosing color and pattern – that’s where the creativity and our own approach, or as Field calls it “philosophy,” comes in. Anything other than that is following someone else’s vision.

I look forward to reading Pat in the City.

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Summer at Tiffany (Harper Collins Publishers, 2007) is a memoir by Marjorie Hart, music professor, celloist, and former chairman of the Fine Arts Department at the University of San Diego. Memoirs are often about an interesting slice of a person’s life and this one tells the story of Ms. Hart’s (née Jacobson) summer in 1945 when she and her best friend, Marty, both students at University of Iowa, traveled to New York City to work for the summer.

Initially the two pals thought they would have it made working in the Big Apple. Through sorority sister connections they had a place to stay for the summer and they had heard that getting “shopgirl” jobs was a cinch. After much convincing of their families to let them go, Marjorie and Marty dressed in their best and boarded the train headed for adventure. But upon arrival, they discovered getting a job wasn’t a cinch after all. They were turned away from all the best stores – Lord & Taylor, Bonwit Teller, Sacks Fifth Avenue and others. Marjorie asks herself “What was this wild rumor that finding a job in Manhattan was easy?”

Indeed it was no easy task, but once again connections played a role in helping our two heroines land positions as pages at the one and only Tiffany jewelry store on 5th Avenue and E. 57the Street. Wait, it gets better – they are the first women to ever work on the sales floor (WWII is raging and all the men are abroad fighting) AND they are outfitted in custom Tiffany blue shirtwaist dresses topped with leather messenger bags to carry the treasures upstairs to either the credit department or the repair department. And so the summer of adventure beings – dinner dates with servicemen, a trip to the ocean, a brush with Elizabeth Taylor, VJ Day in Times Square.

I have to say, crazy at it sounds, it took me some time to warm up to Summer at Tiffany. I started reading it back when it was first published, but I soon put it down. Although well written and lively, I just couldn’t get into it. Fast forward to earlier this year when I was looking for a lighthearted book to read to my mother. I had been reading to Mom for a few years since she could no longer see due to the eye disease Macular Degeneration. I thought this book might appeal to Mom for the era and the jewelry, however, to be honest, I suspect that by then she wasn’t really connecting to much of anything; she just liked the sound of my voice.

This time around I really enjoyed Marjorie and Marty and all the details of Tiffany and how it operated back in the day. I followed with interest Marjorie’s youthful romance with a young gentleman in the Navy and I enjoyed the humorous misadventures that she got into – like the time a strand of pearls broke and ended up on the elevator floor. What I particularly appreciated about the book was its unaffected tone and the transportation back to a more charming time when women dressed up for dates and wrote letters to their families “back home.”

I enjoyed the book so much I kind of savored it, reading it slowly to linger just a bit longer in Marjorie’s world. I read the next to the last chapter the last afternoon I spent with my mother. She was awake, talking and aware, and I was completely unaware that that would be the last time I read to her.

After she died, I brought the book home and it sat on my desk for weeks. I just couldn’t bring myself to read that last chapter. Somehow, for me, coming to the end of the book was to step further away from those days that I sat with my mother reading to her. The End meant the end for us too.

Once I was ready, I did read that last chapter and I read it aloud. Instead of making me feel more apart from my mother, the act of reading aloud helped me to feel connected. I like to think that Mom was listening from wherever she might be now.

Summer at Tiffany is a delightful visit back in time and just the right read for a sunny afternoon under an umbrella in the garden, perhaps sipping a lemonade or a cocktail. (Maybe you’d like to share it with your mom.)

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We all went up and found our garment bag and unzipped it and out popped twenty identical outfits: a double breasted houndstooth pattern jacket, a matching knee length pleated skirt, a rib knit turtleneck sweater, and a black beret. And we were expected to wear black and white saddle shoes and white knee-high socks. I was miserable. This getup was going to make me look like a cow.

Betsey Johnson, American fashion designer.

This quote is from Betsey Johnson: A Memoir (Viking, 2020).

Earlier this year while searching my local library’s online catalogue, I found this memoir in audiobook format. How perfect to listen to while working on various weekend sewing projects.

Ms. Johnson is the reader and generally speaking reading is not her forte, however, she has such earnestness and enthusiasm that I can’t imagine anyone else’s voice reading her story.

The quote I’ve used is about one of the many outfits that she and the other young ladies were to wear in1964 going out and about in New York City as the summer interns at Mademoiselle magazine. Like many other women before her (Sylvia Plath, Joan Didion) Ms. Johnson won a coveted place as a junior editor.

Born in 1942 in Connecticut, Ms. Johnson wanted initially to be an artist and she studied art in college, but it was her internship at Mademoiselle that led to the right connections that led to fashion design. Always ahead of her time in style and the way she lived her life, Ms. Johnson never let anything stop her from doing what she wanted, particularly not the conventions of her generation. A can-do approach combined with a lot of luck provided her an interesting if not always a rosy life.

There are so many fascinating tidbits in this memoir, including brushes with Andy Warhol and Eddie Sedgwick; hanging out with the guys from The Velvet Underground (she even married one of them); fabric research trips around the world. She was married three times, had a baby on her own, started and ran two fashion businesses, and survived breast cancer. Additionally, any fashion historian will enjoy hearing the many details of how the industry operated back in the day.

A fun yet informative read!

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Photo: Charles Tracy

I’d learned to tailor from my mom, and that coat, with its forest-green satin lining, was our masterpiece. We defied any fashion-conscious person not to fall in love with it. Mom had taught me that when it comes to clothes, there’s no such think as timidity. The point is to show yourself off. My mom and my aunt had always done that; now it was my turn. If I could get people to love the clothes I made, then maybe my mom and aunt could have the fashion house they’d always fantasized about, like the ones my aunt saw when she was in Paris.

Pat Cleveland, American model.

This quote is from Ms. Cleveland’s memoir, Walking with the Muses (Atria Books), written by Ms. Cleveland with Lorraine Glennon.

These past few months I’ve been reading a lot of fiction, but my first love is biographies/memoirs, particularly of people in the fashion business. I had heard about Ms. Cleveland’s memoir on the fashion podcast Dressed. (If you don’t know about Dressed, you want to.)

Check back on Wednesday for my review of Walking with the Muses.

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IMG_20200107_142019 clothes are never just garments. Each time we stand before our closet to pick out our clothes, we make a series of choices about how we want to appear before the world. This is just as true for people who claim not to care about clothes as it is for self-proclaimed fashionistas. It’s because we recognize that the way we adorn ourselves communicates something about who we are and where we come from. And everyone has experienced the discomfort of showing up somewhere dressed like they didn’t get the memo. We can think of our clothes, then, as a powerful social skin. 

Tanisha C. Ford, author, pop-culture expert, and associate professor of African Studies and History.

This quote is from Ms. Ford’s memoir, Dressed in Dreams: A Black Girl’s Love Letter to the Power of Fashion (St. Martin’s Press).

In Dreams, Ms. Ford discusses the important role fashion played in her African American community of Fort Wayne, Indiana. From her parent’s colorful Dashiki shirts to baggy jeans to the hoodie to knee-high boots, she shares her childhood story and how fashion influenced her life.

I thoroughly enjoyed this book for the interweave of fashion and the African American Mid-West experience in the 1980s/90s. Simply and distinctly, Ms. Ford offers readers a look at the point where politics and fashion crossed within her community and what that all meant to her at the time and now.

Dressed in Dreams: A Black Girl’s Love Letter to the Power of Fashion – it’s a good read!

 

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IMG_20191203_130459My favorite part of the holiday season is that quiet time between Christmas and New Year’s when most of the rush is OVER. When we finally have a chance to stop, stay home, and relax. This is the best time to curl up with a pile of books.

And what’s a better gift for Christmas (Dec. 25), Hanukkah (Dec. 22- Dec. 30), Kwanzaa (Dec. 26-Jan. 1) than a book?

On my fashion book recommendation list is IM: A Memoir (Flatiron Books) by fashion designer Isaac Mizrahi. I devour fashion stories and Mizrahi’s is a good one. He was part of the generation that landed in NYC in the early 80s when the city was edgy but real and making it there without buckets of money was still possible.

I read IM while visiting Manhattan and it was a kick to be walking past some of Mizrahi’s references –  like Macy’s on W. 34th Street across from which was his father’s office (he manufactured children’s clothing) or M&J Trimming on W. 38th Ave.,  (touted to be the best trim shop in Manhattan).

IM is a complete memoir starting with Mizrahi’s childhood in Brooklyn. His family was part of the Syrian Jewish community. With two older sisters and a fashionista mother, our hero was all about style from a young age. But he struggled as an overweight kid who liked Broadway tunes and spent his time making puppets and perfecting his impersonation of Barbra Streisand. He was an outsider at school, in his community, and at home. But he had a close relationship with his mother and even though he was unhappy, on some level it seemed that he accepted and even embraced his quirkiness.

I found the early part of this memoir fascinating, especially the section when Mizrahi attends School of Performing Arts in Manhattan. The same school featured in the 1980 film, Fame.  In fact Mizrahi auditioned for the gay character, Montgomery, which went to Paul McCrane. But he was in the film as part of a montage. It’s little tidbits like this that make IM a fun read.

Although Mizrahi initially wanted to become a performer, he was also drawn to fashion and he began to sell his designs at age 15 while still in high school. That pretty much set his fate, at least for a while.

In IM we get a peek at the fashion industry, how it worked back then and some behind-the scene descriptions. There’s a lot of name dropping and talk about Mizrahi’s friendships with the likes of Liza Minneli and Anna Wintour (both at one time pretty close with Mizrahi but the friendships didn’t stand the test of time). Well-written (ghost written?) and detailed, the narration doesn’t get in its own way. I was disappointed that there are no photos and I thought his work with QVC deserved more than a mention. I was interested to know how that came about.  Target, however, does get a chapter.

There is much to say about this book but I have holiday chores to get to! I’ll wrap it up by saying IM, A Memoir by Isaac Mizrahi is a good choice for you, my fashionable readers, and/or any fashionable on your holiday list.

 

 

 

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IMG_20190922_160622Don’t be afraid to be appropriate. It has become a dirty word in fashion and style talk. But for me, being appropriate means simply being in touch with the moment. When you are in touch with the moment, with yourself, you communicate effortlessly. 

Isabel Toledo (1961-2019), Cuban-American fashion designer.

 

This is a quote from Toledo’s 2012 memoir, Roots of Style: Weaving Together Life, Love, and Fashion (Celebra Books).

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One of the many illustrations by Ruben Toledo in Roots of Style. 

I recently reread this book, which tells the fascinating story of the Toledos – both of whom immigrated to the US from Cuba as children. They met in high school and later forged ahead in their careers as a couple in 1980s Manhattan. Ruben Toledo is an artist and fashion illustrator. His charming illustrations are a highlight of the book.

As for the quote, well, I of course completely agree. Dressing appropriately shows presence in the moment whether that be a wedding, a funeral, a graduation, an expensive restaurant, the theater, the opera … it matters.

 

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