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Posts Tagged ‘Lacis Museum of Lace and Textiles’

I always enjoy the exhibits at Lacis Museum for the subject matter, but also their unique presentation – charming in its simplicity. Worn to Dance: 1920s Fashion and Beading opened in November 2019 and I was looking forward to seeing it and then … Covid, lockdown, variants. I nearly missed it and that would have been a shame. Don’t let that happen to you! The clock is ticking – Worn to Dance closes March 12.

Lacis Museum is located on the second floor next door to the retail shop at 2982 Adeline St. in Berkeley. Docent Julie Ann ushered us up the stairs to be greeted at the top with two elegantly clad mannequins ready and waiting for us to travel back in time. With jazz tunes playing in the background, we toured the main gallery filled with original 1920s beaded dresses, gowns, handbags, coats, hats, jewelry, even wedding dresses. Each item comes from the Lacis extensive collection. Arranged by type of clothing, every section includes posted images and pictures from magazines and sheet music. What I really appreciate is that there’s plenty of room to get a close-up look at the extraordinary workmanship (every bead is sew on by hand). But no touching!

You’ll notice that most beaded dresses are sheer and require a slip underneath. A handy way to slightly change the look of the dress is to change the slip, perhaps a contrasting color.

Julie Ann led us around the exhibit and offered interesting facts, such as, women of the era could purchase from catalogues or department stores “panels” – precut fully beaded fabric ready to be sewn. That was a less expensive option for middle class women. (See image below.)

Some women beaded their own dresses and there were beaded handbag kits for the crafty types. (See image below.)

One thinks of beaded gowns for evening wear but beading was popular for day dresses, too. Beads for evening would be cut or faceted to reflect light, whereas day dress beads would be uncut.

This day dress is perfect for a summertime garden party.

I’m so pleased I didn’t miss Worn to Dance and I encourage local ODFL readers to make their way over to Lacis before we say goodbye to this wonderful exhibit. It’s a must for anyone interested in fashion history, the Art Deco period (that’s you, ADSC members), and lovers of beading and textiles. Admission is $3 and that includes a docent led tour. And then spend time in the Lacis shop where one can find all kinds of vintage and antique goodies, books on fashion and textiles, sewing notions, ribbon, cards, silk flowers, and much more.

Worn to Dance: 1920s Fashion and Beading on now through March 12th, 2022. Call Lacis to make a reservation 510-843-7290.

Side note: Also on at Lacis is The Bird in Textile Arts: The Extraordinary in Thread. Now through July 9, 2022.

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1920s dress on the mannequin.

I was a little late to the party, as they say, but still just in time to catch Pina: The Philippine Cloth of Pride, Endurance, and Passion at Lacis Museum of Lace and Textiles in Berkeley. Now in the final days of its run this exhibit closes May 4th, 2018 and features the wondrous pina cloth, which is made from the pineapple plant.

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Christening gown.

Pineapples were brought to the Philippines by the Spanish during the 1500s conquest. Actually it’s the leaf of the pineapple plant that provides the fiber, originally hand extracted and then knotted to form filament threads. The process continued as weavers, on hand looms, created a lightweight sheer cloth that became the “must have” fabric for all fashionable ladies of the late 19th century/early 20th century with the means to purchase the expensive clothing and home decor items such as tablecloths, napkins, and runners.

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Detail of pina cloth with embroidery,

The exquisite pina cloth, its loose weave perfect for warm humid climates, was further enhanced by hand embroidery usually in white but sometimes in color.

Pina cloth was popular among the wealthy in the Philippines (with both men and women) up until the 1980s when tastes changed and shifted over to less expensive cotton. But current designers and stylists are showing pina cloth again, attracted to the history and beauty of the fabric. The prices, however, are still high since there are very few pina producers around. To keep costs down, often pina is blended with cotton or silk.

This exhibit itself is located inside Lacis expanded space off the main store and requires one of the staff members to escort visitors. Many pieces are mounted on a black background while a few dresses and blouses are displayed on mannequins allowing for an up-close look. It’s a no-frills presentation in a simple, small space giving the attention to the fabric. There are examples of pina cloth from the late 1800s up to the 1920s. Most from a private collection.

For anyone interested in textiles and/or fashion history this is a rare opportunity to see antique and vintage pina and well worth taking a peek, but hurry … it closes May 4th. There are guided tours for two or more visitors but at specific times and a reservation is required. (Check the website.)  While you’re there, also take time for the just opened exhibit of shawls – The Fringed Shawl: Transcending Generations and Cultures.

Pina: The Philippine Cloth of Pride, Endurance, and Passion at Lacis Museum of Lace and Textiles, 2982 Adeline St., Berkeley.

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