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Posts Tagged ‘Patricia Field’

I’m a big fan of fashion memoirs because each individual’s story provides a different and unique take on fashion and style. So, I’ve been looking forward to reading stylist Patricia Field’s memoir (written with Rebecca Paley), Pat in the City: My Life of Fashion, Style and Breaking All the Rules (Dey Street Books).

Pat in the City does not disappoint. Field is known for styling the fashions on hit TV shows Sex and The City and Emily in Paris, among others, and creating iconic looks such as the tutu-as-skirt.

Born and raised in New York, Field, now 81, is of Greek decent. She was the eldest daughter of immigrant parents who ran their own dry cleaning business. A rebel from the start, Field created her own style early in life, combining her mother’s preferred Pringle cashmere sweaters with a Burberry (popped collar) trench coat and boots. “My style, inside and out, was not girly girl but cool and fierce,” she explains. This was the beginning of her penchant for mixing contrasting looks, something that later would set her apart in the world of costuming.

In eleven chapters Pat in the City takes the reader through Field’s childhood (surrounded by her three unmarried aunts) to her first retail shops where in the 70s and 80s she created a haven for club kids and drag queens. Each of her first commercial costuming successes – Sex in the City, The Devil Wears Prada, and Emily in Paris – get their own chapters filled with behind-the-scene tidbits. For example – early on in costume discussions, Sarah Jessica Parker, who played Carrie Bradshaw in Sex in the City, declared that she would not wear hose, no matter the season or the weather. Field explains that historically for women hose were essential. Even as late at 1998 when SATC premiered, women, in the workforce especially, were expected to cover their legs. SJP saying no hose, was remarkable. (Later Meryl Streep, who played Amanda Priestly in The Devil wears Prada went the opposite direction announcing that bare legs were not for her and she would be wearing hose.)

I learned a lot about Field that surprised me. I didn’t know that she was nominated for an Oscar for her costuming work on The Devil Wears Prada and that she designed a line for Payless Shoes. I didn’t know that she has closed all her retail stores and now runs her own fashion gallery called ARTFashion in Manhattan.

Another pleasant surprise is the book itself, which is quite stylish and heavy with more than 250 coated pages. There are many colorful illustrations, photos, and photo collages. The images of Field, her family, and other people in her life help complete the story for the reader, plus they’re just fun to look at.

I really enjoyed Pat in the City and I recommend it, particularly to fans of her work, but also for anyone who is interested in costuming, fashion, and style.

(Thank you Dey Street Books for providing a review copy to ODFL.)

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Patricia Field. NYC Fashion Week 2019. Photo: Tina Paul.

I’m disappointed with the trend of sweatpants and sneakers. I mean, come on! I feel it’s not that interesting. Now everyone’s walking around looking like that. It shows no sense of originality. Yes, it’s comfortable. I like sweatpants when I’m in my apartment. But I wouldn’t go out in Paris in a pair of sweatpants. And that happened to me in Paris! When I first went there to do “Emily,” I sent (creator) Darren Star, “I’m in here in Paris. I’m going to check out the French chic.” I do my little routine, go outside. They’re all in sneakers, jeans and sweatpants! I’m like, This is depressing. I want the French chic, damn it!

Patricia Field – American costume designer/stylist.

How sad is that? Paris, historically the city of elegant style, is now awash in sweats and jeans.

This quote is from Pat in the City: My Life of Fashion, Style, and Breaking All the Rules (Dey Street Books).

Check back tomorrow for my review of this fascinating fashion memoir.

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I like originality. I combine fashion and philosophy. Fashion, to me, is an art form. For it to make sense, it has to have a philosophy behind what you’re doing. Otherwise, it’s just trendy.

Patricia Field – American stylist/costume designer known for her work on Sex and The City, The Devil Wears Prada, and Emily in Paris.

This quote is from a Q&A Field did with Today.com.

Field is just out with her memoir, Pat in the City: My Life in Fashion, Style, and Breaking All the Rules (Harper Collins).

I completely agree that fashion (or style) has to have some thought behind it to be interesting. When someone buys and wears a head-to-toe designer outfit, there’s nothing of the individual reflected. But when we put together our own ensembles – mixing a vintage piece with a trendy piece, choosing color and pattern – that’s where the creativity and our own approach, or as Field calls it “philosophy,” comes in. Anything other than that is following someone else’s vision.

I look forward to reading Pat in the City.

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The ladies of Sex and The City (1997-2003).

Yesterday ODFL featured a quote by Vogue columnist, Raven Smith in which he commented that he was less than impressed with Carrie Bradshaw’s fashion choices in And Just Like that, the HBO Max Sex and The City reboot. (Since the series started shooting around NYC in early July, Instagram has been flooded with images of Carrie, Miranda, and Charlotte in their new garb.)

Today I’m throwing in my two cents.

I have to say I agree with Mr. Smith. As far as we can tell, there’s not much spice to Carrie’s wardrobe in the reboot, although, I did think that Ms. Field, the previous costume designer for S&TC, sometimes went too far making Carrie look pretty raunchy in sheer, short, tight dresses or just plan ridiculous – big green bird as fascinator??? But still we all loved Carrie’s sense of fashion adventure. (I liked the earlier episodes best when Carrie mixed it up with interesting vintage pieces.)

Molly Rogers, the reboot costume designer, has a thing for boho; she’s got Carrie in a long 70s looking print dress and Miranda also sporting long flowy dresses with wedge shoes. (Has Miranda retired from her high-power lawyer job?) Not only is boho not really their style, the look just isn’t that interesting and it’s had its own reboot countless times. But Carrie is also sporting some fabulous platform heels, a la 1940s style. As for Charlotte, it appears that she has gone Carmen Miranda in loud color prints, off-the-shoulder blouses paired with tight skirts. What happened to her taste for preppy-chic? That’s a look that translates well for older women, which, ahem, she is and they are.

(I mentioned in yesterday’s post that Kim Cattrall is not returning as Samantha Jones.)

Mr. Big (Chris Noth) is back in his usual corporate suits. Stanford (Willie Garson) is also joining the gang and looking spiffy in bright colors. Aidan (John Corbett) returns as well but I haven’t seen any shots of him; I look forward to finding out if it’s going be the original pudgy, long-haired Aidan of Season Three or more the slimmed down short-hair Season Four version.

There’s no word yet when the new HBO Max series will air, but we do know there are 10 half hour episodes planned for the first season.

To see some of the costumes for And Just Like That check out andjustlikethatcloset on Instagram.

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41UA57KzwQLConfidence. independence, and intelligence are the new and permanent must-haves to be a sexy woman. Carrie Bradshaw displayed these characteristics,  behind Carrie was Sarah Jessica Parker (SJP) – a natural example of the woman we are talking about. Behind Carrie and SJP was yours truly, making our combination organic and believable. 

Patricia Field – American costume designer and head designer for the television series, Sex and the City.

We continue to celebrate the 20th anniversary of Sex and the City, which premiered on HBO in June 1998.

If you’re a fan of S&TC I recommend a new book, Sex and the City and Us: How Four Single Women Changed the Way We Think, Live, and Love. by Jennifer Keishin Armstrong (Simon & Schuster).

With twenty years hindsight, Ms. Armstrong presents backstories on what went into creating and maintaining the hit HBO show. Having interviewed key players like SJP, producer Darren Star, writers Cindy Chupack and Jenny Bicks, she digs deep into the inspirations and intentions of each of the six seasons with commentary along the way on the impact the show has had across the country then and now. Armstrong opens the book sharing how the first seasons of S&TC influenced her life, as a twenty-something young woman in Chicago with NYC aspirations.

Sex and the City and Us is well written and a fun read for true fans.

 

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IMG_0665I started my store when I was 24 years old and it has led me on to all the wonderful professional roads I have taken. My purpose was to begin my own life/career and to answer to no one but myself, to be independent. After 50 successful years of being able to do just that, I decided it was time to close this chapter and make more room for all the branches that have sprung directly from that tree; continuing my film and television work, styling, designing, and pursuing brand new projects that have been offered to me … 
– Patricia Field, stylist 
As reported on OverDressed for Life last week, Ms. Field announced that she will be closing her NYC store in the spring of next year.
Let’s hear it for starting new chapters!

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After 50 years in business, Patricia Field is closing her NYC store. Ms. Field, known for styling Sarah Jessica Parker et al in the Sex and the City TV series and movies, has said that she feels it is the right time to close the shop and focus on other projects.

I wonder if among these projects might be film directing. She mentioned her growing interest in directing at an event I covered last year. Imagine the cinematography of a Patricia Field film.

Well, whatever she’s up to, OverDressed for Life wishes her the best.

Ms. Field’s store will close in the spring of 2016.

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IMG_0667I liked Patricia Field’s outfit on the day she visited Britex Fabrics. It was simple – gray slacks and light knit sweater, velvet jacket that she told me she’s had for years and wears a lot, and a single long silver pendant. She popped her outfit with the red shoes and of course her hair color is her signature piece.

Her hair got me thinking. When you have one distinguishing element in an outfit such as ruby-red hair or a grand hat, an opulent coat or exotic jewelry, that’s all you need. The rest should not compete but instead stay quiet. (Since Ms. Field’s signature piece is always her hair then her outfits probably tend toward sleek and simple.)

But if  there is no one outstanding piece then the whole well-coordinated ensemble can deliver a punch using color, vintage silhouettes, structure, or texture.

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What an event it was on a very hot October morning with costume designer Patricia Field and ah … sixty plus mostly young fashion students packed into the narrow ground floor of Britex Fabrics in San Francisco. To be honest I had no idea she’d be such a draw, particularly among the under 40s.

Ms. Field is known for costuming the long running HBO series Sex and The City and the film, The Devil Wears Prada starring Meryl Streep. Both the series and the film are very much last decade (and prior) and I would have thought perhaps a bit passé for the 20-something crowd. But I was wrong. The students knew her work, so well in fact that there were several nods to Ms. Field in the form of Carrie Bradshaw copycats – lots of stiletto heels, one woman in pink sported a name plate pendant, another went for the strands of chunky pearls paired with a t-shirt look, and another donned a slip dress, which wasn’t a bad choice given the record heat. These outfits were noticeable for their Ms. Field touch but actually, I was surprised how dated they appeared and I had to wonder if a better nod to the costumer known for mixing it up would have been to simply dress in one’s own unique style.

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Patricia Field takes a cigarette break just outside the back door of Britex Fabrics.

But all that aside, Ms. Field was delightful – humorous and down-to-earth. She roamed among the tables and shelves of beautiful fabrics chatting with people, finally stopping in the middle of the floor and settling in for a discussion about her career, which she said began with her shop in New York City and then the pivotal moment being when she got the SATC gig.

People asked for “juicy” stories of working with the cast of The Devil Wears Prada and Ms. Field obliged with a nice tidbit about Meryl Streep, who played nasty magazine editor Miranda Priestly. The two were discussing the character and the potential costumes and Ms. Streep asked about hose. “I told her I didn’t have a problem with her not wearing hose,” Ms. Field said and then she recounted Ms. Streep’s reaction: “Pat! My legs are going to be coming out of a limousine on huge screens.” Lesson learned. Bare legs on screen look big, wear hose!

When the inevitable question was asked – What advice would you give a want-to-be designer/stylist? (read celebrity) – Ms. Field said, “Love what you do, if you don’t love it you shouldn’t do it.” Good advice but not satisfying, I suppose, as the same question was asked repeatedly in several different ways.

A more interesting question was – What is fashion? Ms. Field commented that fashion is just suggestion and it’s up to us to play with it and make it our own. “You don’t need to be head to toe designer … at the end of the day you’re expressing yourself.”

Eager for different challenges, Ms. Field said she no longer takes on head costumer projects but she will hire herself out as a consultant. Currently she’s working on a new Darren Star (creator of SATC) television production set to premiere in January. But her real passion is directing films and she’s anxious to explore that world.

Project Runway contestants Richard Hallmarq and Emily Payne joined Ms. Field later in the discussion. Both commented that PR changed their lives, opened doors and created opportunities that just wouldn’t have happened otherwise, but the fashion biz is still a lot of hard work. Photo ops and more questions and then Ms. Field needed a cigarette break and it was time for this reporter to move along.

Thank you to Patricia Field and Britex Fabrics!

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