Day-Lewis sports his own look for the W interview photo shoot. Navy blue suits him.
In the case of Phantom Thread, when we started I had no curiosity about the fashion world. I didn’t want to be drawn into it. Even now, fashion itself doesn’t really interest me. In the beginning, we didn’t know what profession the protagonist would have. We chose fashion and then realized, What the hell have we let ourselves into? And then the fashion world got its hooks in me.
Daniel Day-Lewis, British actor, starring in the film Phantom Thread.
This quote is from an interview with reporter Lynn Hirschberg for W.
To prepare for playing the part of couturier Reynolds Woodcock (a fictional character) Day-Lewis, like all good actors, did extensive research. He watched 1940s and 50s fashion show archival footage and spent many months apprenticing with Marc Happel, head of the NYC Ballet costume department. He learned to sew and even … get this – made a Balenciaga dress.
Day-Lewis as Reynolds Woodcock and Vicky Krieps in Phantom Thread.
He found a photo of what he thought was a simple Balenciaga dress and decided to make it. Turns out it was not so simple but undaunted he sketched the design and went about draping gray flannel fabric on his wife, Rebecca Miller, who stepped in as a fit model. He says the hardest part was figuring out “a very particular gusset in the armpit.” By trial and error (always the way in sewing) he figured it out and lined the dress in what became Woodcock’s signature color, a pinkish lilac.
Very impressive!
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The reason that I am a costume designer is because it is everything that I am interested in, and did on my own as a kid, all put into one job. There’s the drawing and painting of sketches. There’s the fascination with the history of clothes. I was always into fabrics. Costume design is giving an external look to a character. It gives an indication of things unsaid. 
OverDressed for Life 