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Posts Tagged ‘Sarah Jessica Parker’

On the set of And Just Like That this past summer. I don’t know about the boho look for Miranda.

I’m inspired as a costume designer by what I see young people doing. Either on the internet or standing right in front of me – street fashion.

Molly Rogers – American costume designer.

Ms. Rogers is currently working on the costumes for And Just Like That – the Sex and the City reboot due to air on HBO Max in December of this year.

Her past gigs include the television show Ugly Betty and the hit movie The Devil Wears Prada and she also worked closely with Patricia Field on the SATC series as well as both movies. Rogers had been working with Field since 1984 when she popped into the stylists’ shop and asked for a job.

Now she’s going solo with And Just Like That, as Field is busy working on Emily in Paris.

There are several Instagram accounts following the series production around NYC and providing us with a sneak peek at the costumes, which are getting mixed reviews.

As for the quote – there’s nothing better than street fashion IF you happen to live in a place like NYC or London or Pairs. People watching in such places offers amazing inspiration. But elsewhere there is little to no inspiring fashion to be found. So we have magazines, Instagram, and television shows like – And Just Like That.

I’m looking forward to indulging on some serious fashion candy come December.

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The ladies of Sex and The City (1997-2003).

Yesterday ODFL featured a quote by Vogue columnist, Raven Smith in which he commented that he was less than impressed with Carrie Bradshaw’s fashion choices in And Just Like that, the HBO Max Sex and The City reboot. (Since the series started shooting around NYC in early July, Instagram has been flooded with images of Carrie, Miranda, and Charlotte in their new garb.)

Today I’m throwing in my two cents.

I have to say I agree with Mr. Smith. As far as we can tell, there’s not much spice to Carrie’s wardrobe in the reboot, although, I did think that Ms. Field, the previous costume designer for S&TC, sometimes went too far making Carrie look pretty raunchy in sheer, short, tight dresses or just plan ridiculous – big green bird as fascinator??? But still we all loved Carrie’s sense of fashion adventure. (I liked the earlier episodes best when Carrie mixed it up with interesting vintage pieces.)

Molly Rogers, the reboot costume designer, has a thing for boho; she’s got Carrie in a long 70s looking print dress and Miranda also sporting long flowy dresses with wedge shoes. (Has Miranda retired from her high-power lawyer job?) Not only is boho not really their style, the look just isn’t that interesting and it’s had its own reboot countless times. But Carrie is also sporting some fabulous platform heels, a la 1940s style. As for Charlotte, it appears that she has gone Carmen Miranda in loud color prints, off-the-shoulder blouses paired with tight skirts. What happened to her taste for preppy-chic? That’s a look that translates well for older women, which, ahem, she is and they are.

(I mentioned in yesterday’s post that Kim Cattrall is not returning as Samantha Jones.)

Mr. Big (Chris Noth) is back in his usual corporate suits. Stanford (Willie Garson) is also joining the gang and looking spiffy in bright colors. Aidan (John Corbett) returns as well but I haven’t seen any shots of him; I look forward to finding out if it’s going be the original pudgy, long-haired Aidan of Season Three or more the slimmed down short-hair Season Four version.

There’s no word yet when the new HBO Max series will air, but we do know there are 10 half hour episodes planned for the first season.

To see some of the costumes for And Just Like That check out andjustlikethatcloset on Instagram.

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The problem is there’s no Carrie in Carrie’s Looks. There’s lots of well-meaning, inoffensive ensembles, form-flattering moments, vaguely interesting shapes. There are pieces from Carrie’s original wardrobe—the baguette, the belt, the second proposal Manolos—but there’s none of the oddness, none of the archness. We can see the clothes but we can’t hear Carrie’s commentary, Carrie’s voice. I just see hanging fabric with no flavor; it feels like a light pencil drawing of an original Carrie print.

Raven Smith – Vogue columnist.

This quote is from Mr. Smith’s column on vogue.com.

Mr. Smith is speaking about the costumes for the character Carrie Bradshaw (played by Sarah Jessica Parker) in the Sex and the City HBO Max reboot, And Just Like That.

Carrie’s Fashion Adventure in Sex and The City, season six. (She wore this on the flight from NYC to Pairs.)

As soon as shooting for the reboot started in NYC in early July, social media was abuzz with quickly captured images of Carrie, Miranda (Cynthia Nixon), Charlotte (Kristin Davis) et al. on set. There was also carefully crafted PR by the production company including an official photo and a trailer. It had already been announced that Kim Cattrall as Samantha Jones would not be returning, nor would the original series (and the two films) costume designer, Patricia Field.

Ms. Field is busy making Lilly Collins look quirky in the Netflix series Emily in Paris, so she recommended her assistant Molly Rogers, who evidently worked closely with Ms. Field on the Sex and the City series and she was the main costumer on the Fox series, Star.

There we have the backstory. As for the quote, please tune in tomorrow for my two cents.

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41UA57KzwQLConfidence. independence, and intelligence are the new and permanent must-haves to be a sexy woman. Carrie Bradshaw displayed these characteristics,  behind Carrie was Sarah Jessica Parker (SJP) – a natural example of the woman we are talking about. Behind Carrie and SJP was yours truly, making our combination organic and believable. 

Patricia Field – American costume designer and head designer for the television series, Sex and the City.

We continue to celebrate the 20th anniversary of Sex and the City, which premiered on HBO in June 1998.

If you’re a fan of S&TC I recommend a new book, Sex and the City and Us: How Four Single Women Changed the Way We Think, Live, and Love. by Jennifer Keishin Armstrong (Simon & Schuster).

With twenty years hindsight, Ms. Armstrong presents backstories on what went into creating and maintaining the hit HBO show. Having interviewed key players like SJP, producer Darren Star, writers Cindy Chupack and Jenny Bicks, she digs deep into the inspirations and intentions of each of the six seasons with commentary along the way on the impact the show has had across the country then and now. Armstrong opens the book sharing how the first seasons of S&TC influenced her life, as a twenty-something young woman in Chicago with NYC aspirations.

Sex and the City and Us is well written and a fun read for true fans.

 

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On the 20th anniversary of Sex and the City we are looking back at one of my favorite style moments in Unoriginal Sin (season five, episode two, 2002). Recap: Miranda has asked Carrie to be Brady’s godmother but Carrie is feeling unfit for the job. It doesn’t help that Charlotte tells her she’s becoming cynical. This is also when Carrie finds out that a publisher is interested in a book deal. (Yes, I know my S&TC pretty darn well!)

In one outside autumn scene with Charlotte, Carrie is sporting a sweater that I adore. It’s a beige shade with a turquoise C  in the middle. Simple but oh-so charming and I really like the odd color combination.  I’m also a big fan of initials. She’s paired that with a plaid cap, which suits her face. The heart brooch is a nice touch and we see it repeated throughout the season.

I found out recently that this sweater was part of an Isaac Mizrahi collection back in the day. Sara Jessica Parker called up Mizrahi and asked to use this sweater in the show. Later in 2016 it was part of his retrospective exhibit at The Jewish Museum in NYC. 

Readers, are you/were you a fashion fan of S&TC? What were some of your favorite looks from the show?

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10-Arjun-Bhasin-IndiaInk-articleInlineSarah Jessica Parker is obviously one of the most stylish people alive. But starting the show was tricky. We tried to ignore her other show entirely and create a new character with a new life. It was exciting for her to reinvent herself into a new person.

Arjun Bhasin, Indian stylist/costume designer.

In this quote (from an article in the San Francisco Chronicle) Mr. Bhasin is referring to his work with SJP on the new HBO series, Divorce.

In addition to the HBO project, the accomplished designer (Life of Pi, Love is Strange, Begin Again) recently costumed Berkeley Repertory’s production of Monsoon Wedding, which by the way has been extended twice and is now running through July 16.

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Sarah Jessica Parker as Frances in Divorce. Opaque tights worn with pumps was not uncommon in the the 1970s.

Back to costuming SJP. What a challenge!There’s a lot of high-stylin’ baggage from that other show – Sex and the City – with the use of big designer labels and major product placement. Bhasin’s approach to this new show was to shift away from all that and go vintage.

Inspired by 1970s divorce films, An Unmarried Woman and Kramer vs. Kramer he hit Etsy and vintage fairs looking for classic silhouettes and soft color palettes. Much of what Bhasin found were in larger sizes. But since he was drawn to the fabric patterns, he and his staff did a lot of altering and playing around with the original pieces to make them fit SJP in size and her character, Frances in mood.

Given that Frances works,  has two children, and is going thorough a (nasty) divorce, Bhasin thought “comfort clothes.” The look he’s created is one of simple elegance; Frances cares about her appearance but she’s not a clotheshorse. Her style is her own and she’s not inclined to follow trends. The hemlines are at the knee, the skirts are full, the dresses are feminine but not frilly. There’s not a lot of fuss – no hats (unless it’s cold), not much jewelry or multiple handbags. Bhasin says that he and SJP want to keep the accessories to a minimum. Frances is a woman who puts on a turquoise silver bracelet and leaves it on.

100716-sjp-divorcedI really like what Bhasin has done with Frances. He’s managed to costume a character with interest while NOT making it all about the clothes. I also appreciate that he reuses pieces, like the two coats Frances wears. Since the costumes are so interesting it’s great to see them more than once.

SJP is such a fashion draw that I imagine women will check out Divorce for the costumes, if nothing else. What I’m curious to see is if these vintage styles will influence street-syle and perhaps even future runways.

 

 

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What a perfect combo – SJP driving a super cool vintage station wagon. Photo: Christian Hogstedt

Are you a fan of Sarah Jessica Parker? Find her in a thoughtful Q&A with the new online magazine, sbjct.  (Subject without the vowels.)

Co-founded by Erin Walsh and Christian Hogstedt, sbjct features “extraordinary individuals and the subjects that move and inspire them.”

I think readers will be intrigued. Certainly they will have a little something to ponder from these interviews, which offer more depth than the usual magazine fare.

Check out SJP on sbjct.

 

 

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After 50 years in business, Patricia Field is closing her NYC store. Ms. Field, known for styling Sarah Jessica Parker et al in the Sex and the City TV series and movies, has said that she feels it is the right time to close the shop and focus on other projects.

I wonder if among these projects might be film directing. She mentioned her growing interest in directing at an event I covered last year. Imagine the cinematography of a Patricia Field film.

Well, whatever she’s up to, OverDressed for Life wishes her the best.

Ms. Field’s store will close in the spring of 2016.

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Sadly, the Metropolitan Museum of Art’s Costume Institute Gala has become nothing more than a celebrity spectacle. With the likes of Jennifer Lopez, Lady Gaga, and Justin Bieber showing up looking like clowns, the event-of-the-year that used to be an evening of elegance for people in the fashion industry and their supporters has descended into Hollywood Trash Night.

This year’s gala celebrated the opening of China: Through the Looking Glass, an exhibition that explores the inspiration Chinese culture has had on western fashion. Some attendees (and their stylists) took the theme of the exhibit and went mad with oversized headdresses and excessive sequins. Others came up with their own theme – Raunchy – and sported revealing gowns that showed off what, I guess, they think is their best assets. Too bad for them.

Sorry SJP this is not a good look for you.

Sorry SJP this is not a good look for you.

In my online research I spotted only two well-dressed women – Cher, which is surprising as she is usually leading the Trash Pack, and Chinese actress Ni Ni. Notice they chose elegant gowns with the subtle interest in the fabric. Excess isn’t necessary nor is semi-nudity. Follow a theme, yes, but don’t overdo it.

Ni Ni looks lovely in Ralph Lauren.

Ni Ni looks lovely in Ralph Lauren.

Cher with the designer who dressed her, Marc Jacobs.

Cher with the designer who dressed her, Marc Jacobs.

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