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Archive for the ‘Events’ Category

When an item of clothing enters our collection, its status is changed irrevocably. What was once a vital part of a person’s lived experience is now a motionless ‘artwork’ that can no longer be worn or heard, touched, or smelled. The exhibition endeavors to reanimate these artworks by re-awakening their sensory capacities through a diverse range of technologies, affording visitors sensorial ‘access’ to rare historical garments and rarefied contemporary fashions. By appealing to the widest possible range of human senses, the show aims to reconnect with the works on display as they were originally intended—with vibrancy, with dynamism, and ultimately with life.

Andrew Bolton, Curator in Charge, The Costume Institute.

Mr. Bolton is speaking about Sleeping Beauties: Reawakening Fashion, the current exhibition on at The Costume Institute.

And of course today is the first Monday in May, which means … it’s the day of the Met Gala!

The Met Gala has become way too much of a circus for me, even just visually. Every year it’s more and more extreme and outrageous. Last year actor Jared Leto showed up in a giant white cat suit (a nod to Karl Lagerfeld’s cat). Yes it was amusing, but why can’t we just stick to beautiful clothes? All this unnecessary spectacle takes away from what should be the focus.

The Upside-Down Rose Hat by Philip Treacy is part of Sleeping Beauties. Photo: Steven Meisel.

As for the exhibit, the descriptions are somewhat complicated yet intriguing. According to an article in Vogue (May, 2024), Sleeping Beauties is featuring only clothing from The Costume Institute’s own collection (of 33,000) and 75 pieces are new acquisitions, including a gown by Christian Dior and a headpiece by Philip Treacy. Using technology, some of the oldest and most fragile pieces in the collection will be “reanimated” and presented in such a way as to give the viewer a feel for how the garment was worn – in what environment, how did the wearer stand, what scents were in the room.

The idea behind Sleeping Beauties is that attendees will have an immersive experience that will include not just sight, but also sound, touch, and smell.

One of the consultants hired for the exhibition is Sissel Tolaas, a chemist and expert on scents. She has spent the last year studying the fragrances connected to garments included in the exhibition. Apparently, attendees will be able to catch a whiff of the “fragrance elements” associated with the various garments on display, not just perfume but the body of the wearer “her habits, her culture, her rituals, the foods she ate,” explains Tolaas.

Does this pique your interest? Sleeping Beauties: Reawakening Fashion is on May 10 through September 2, 2024 at The Costume Institute in New York City.

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Photo by Tembela Bohle on Pexels.com

I was in front of the mirror trying on a coat when I saw someone trying to edge in and I turned around and it was Julianne Moore. I was flabbergasted. I just thought to myself – You don’t need to be here.

Lynette Nylande – British writer and editor.

Nylander was speaking to Elle magazine (Feb. 2024 issue) about The Row sample sale in New York City.

Everyone, EVERYONE loves a deal. According to Elle, designer sample sales are usually a rare occurrence. But in the past year, brands such as The Row, Khaite, and Comme des Garcons have been unloading their extra inventory at as much as 80 percent off the retail price. Sounds great! Except the crowds are a nightmare with over 1000 people waiting just to get in the door. (And then of course there’s Julianne Moore edging into other people’s space. Sheesh!)

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We should stop and really consider what it is that we’re wearing every day. And how we came by it and what it means to us, and what we are saying through what we’re wearing.

Professor Dilys Williams – Professor of Fashion Design for Sustainability, London College of Fashion.

It’s Fashion Revolution Week! This is an annual event that recognizes the anniversary of the 2013 Rana Plaza collapse in Bangladesh, where 1,100, mostly women seamstresses, died and 2,500 people were injured. FRW is a movement that seeks to raise our awareness of what’s really going on in clothing/fashion industry.

This week is an opportunity for all of us to think about our fashion and clothing choices. Where and how can we cut back? I believe what we wear matters and I’m taking Professor Williams’ quote seriously. Particularly, what we are saying through what we’re wearing?

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This week I attended something fun – Sustainable Fashion Workshop – hosted by Sustainable Walnut Creek. It’s a well known fact that clothing production is a significant contributor to climate change; there’s currently a movement to buy fewer new pieces and thrift shop instead or use what we already have in our closets.

Around twelve of us showed up for the Sustainable Fashion Workshop at the Downtown Walnut Creek Library to hear about and discuss ways to reuse, repair, repurpose, and recycle our clothing. Ellie (SparkEllie on Facebook) led the discussion and offered advice. Some attendees brought in pieces they needed help repairing or repurposing and others came for inspiration. Ellie contributed a large bag of fabric scraps that we all enjoyed sifting through. Among the gathering of likeminded people was a five-year-old girl who quickly put together a pile of fabric and set to work designing something for herself. (Her enthusiasm was delightful to see.)

A local Walnut Creek resident found just the right white cotton ruffle to add to the bottom of a t-shirt. I asked for advice on mending a sweater with rips under the arms and got several great ideas.

If this is of interest to ODFL readers there’s another Sustainable Fashion Workshop coming up on Monday, April 15, 5-6:30 at the downtown Walnut Creek Library.

Do you have some clothing that could use a little TLC? Want to refashion some of your wardrobe? Just need some inspiration? I recommend popping into the Sustainable Fashion Workshop to meet some really nice people who also want to help save the earth, one item of clothing at a time.

It’s free! Click here to register.

This workshop is just one event in April to celebrate Earth Month. Among the list of fun is the Earth Day Celebration and a sustainable fashion show on Saturday, April 20th at Walnut Creek Civic Park, 11-4.

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Vogue cover, April 1, 1910.

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Photo by Skylar Kang on Pexels.com

I somehow persuaded the managing editor’s office that Issie needed my help with shoots, and spent a blissful six months working for her. I would arrive at 10, dressed in my uniform of black jeans and a black polo neck (all I could afford then), and sit in the dark corner Issie had been allocated in the spacious fashion editor’s room (her ebullience distracted the other editors, who placed her as far away as possible). I would start organizing what we were going to do that day … Invariably the phone would ring about 11, with Issie on the line saying, ‘Darling – could you come round to Elizabeth Street? Had too much gin last night.’ I’d grab a black cab, head over to Belgravia, sit by Issie’s narrow four-poster bed taking notes, and spend the rest of the day executing her wishes.

Plum Sykes – British fashion journalist.

This quote is from the article, Goodbye Vogue House, in Vogue magazine, December 2023. The British Vogue magazine headquarters (called Vogue House) is relocating after decades in the same Mayfair building. Three former staff members, including Sykes, chimed in on their memories of working at British Vogue.

Sykes was at Vogue in the early 1990s working for the dynamo fashion icon Isabella Blow (Issie).

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Earlier this month my partner and I attended the Art Deco Society of California Member Mixer at the Alameda Masonic Hall. This is the first ADSC event for us since just before the pandemic shutdown in 2020 and what fun it was to get back into the swing (donning masks).

The label on the dress says, Made in France for Bonwit Teller.

I had three vintage outfits put together, but it was the weather that would decide it. As it turned out to be a cold and rainy day, my wool dress was the winner.

When creating vintage outfits I like to mix it up a bit. I’ll wear a simple silhouette from any era and add vintage accessories. This time I paired a royal blue 1960s A-line long sleeve dress with a blue 1920s cloche hat, which defined the era of the look. Since it was chilly and wet, I wore cream colored tights and waterproof suede Oxford shoes by Clarks. A vintage pearl cuff bracelet picked up the color of the tights. I carried a blue fabric satchel handbag that I found at a London antique market and my guess is that it dates from the 1960s, but it’s timeless. A blue crinkle silk scarf from Kiss of the Wolf and pair of vintage leather gloves completed the ensemble.

Accessories make the outfit.

The star of the outfit was a red Bakelite picture hat brooch that I wore on the shoulder to pick up the red crisscross accent on the dress. It received a lot of attention.

Just one statement piece can add a punch.

I plan all my outfits, but it’s extra fun to put together something like this for a period event. We had such a lovely day catching up with other ADSC members and touring the Alameda Masonic Hall, which was built in 1927. I look forward to more Art Deco events in the future.

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More is more and less is a bore.

Iris Apfel (1921-2024) – Designer and fashion icon.

If anyone could pull off the idea of more and more and more, it was Iris Apfel. She was a fashionable independent spirit. RIP.

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Ann Lowe in 1963.

Jackie was so sweet and shy that I felt like putting my arms around her and squeezing her. Once she opened up, she would talk with me about anything. We sat on the couch and she said, ‘Will this red do for the bridesmaid dress?’ And I said no, and she laughed and said, ‘Well, all right then, you find the red.’ I brought her the shade of pink I loved best and she said, ‘You like that shade and so do I. Our minds work together.

Ann Lowe (1898-1981), American fashion designer.

In this quote Lowe was speaking about working with Jacqueline Bouvier.

Lowe was known for the fabulous gowns she created for brides and debutantes, including the wedding gown that Jacqueline Bouvier donned when she walked down to aisle to marry John F. Kennedy in 1953.

Image from the picture book Only the Best: The Exceptional Life and Fashion of Ann Lowe, by Kate Messner, Illustrations by Erin k. Robinson.

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