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Posts Tagged ‘fashionable quotes’

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Dorothy Parker in 1935.

They looked alike, though the resemblance did not lie in their features. It was in the shape of their bodies, their movements, their style, and their adornments. Annabel and Midge did, and completely, all that young office workers are besought not to do. They painted their lips and their nails, they darkened their lashes and lightened their hair, and scent seemed to shimmer from them. They wore thin, bright dresses, tight over their breasts and high on their legs, and tilted slippers, fancifully strapped. They looked conspicuous and cheap and charming. 

Dorthy Parker (1893-1967), American author.

Quote from The Standard of Living, 1941.

Favorite words in this quote: adornments, besought, fancifully, conspicuous, charming. Stylish words that are not used much anymore.

As for the idea of not painting our lips and darkening our lashes? Perish the thought!

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IMG_20180322_114748Vain trifles as they seem, clothes have. they say, more important offices than merely to keep us warm. They change our view of the world and the world’s view of us. 

Virginia Woolf (1882-1941) – English author. This quote is from Ms. Woolf’s 1925 novel, Orlando.

Virginia Woolf’s sense of style was very much of her era and social set – bohemian 1920s. We might call it “effortless elegance” today. She favored long cardigans and printed skirts that draped so nicely on her tall slender figure. She didn’t go with the popular bob hairstyle but instead, staying just askew of fashion, she sported an untidy bun at the nape of the neck. Strands of long beads and fringed shawls were among her accessory choices.

She often referred to clothing in her novels and commented in her diary that “I must remember to write about my clothes …”

 

 

 

 

 

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IMG_20180302_140332When you’re dealing with an audience that is all about experience versus product, it leads to a redefinition of certain categories … She’s seeking experience over tangible items, which has led to what I call fast beauty. She wants the ability to grab one thing she can try once because she doesn’t want to be locked down forever. In the end, her shopping basket is going to be just as high, but the difference is instead of having a gigantic bottle of one thing, she is going to have a variety of single-use, travel-size, quick items. She wants to be mobile … 

Ingrid Jackel, CEO Yes To.

I guess I’m not this shopper because if I find a product that works for me I stick with it. These days even though it seems that we have more beauty and fashion choices, there actually is very little. Perhaps a lot of junk but not much quality. So when I discover something that suits me, I become a loyal customer.

 

 

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debra-photoThe costume designer dresses somebody from the inside out. We care about what kind of underwear they’re wearing. It’s really important when you’re dressing somebody for a film to kind of think about what they’re wearing after they take their shower; what’s the process; what goes on underneath; what makes sense. And it’s a real internal process. The process of fashion is completely external. It’s disposable. It’s changeable. 

Debra McGuire, Hollywood costume designer.

Ms. McGuire is the go-to costume designer for television. Most recently she has designed for Fresh off the Boat, New Girl, and Speechless. From 1994-2004 her main designing gig was Friends.  She has worked on many a film as well. including Knocked Up and Righteous Kill.

 

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downloadThe reason that I am a costume designer is because it is everything that I am interested in, and did on my own as a kid, all put into one job. There’s the drawing and painting of sketches. There’s the fascination with the history of clothes. I was always into fabrics. Costume design is giving an external look to a character. It gives an indication of things unsaid. 

Mark Bridges, American costume designer.

Congratulations to Mr. Bridges for his Oscar win last night – Best Costume Design, Phantom Thread.

 

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Costume designer Adrian and Greta Garbo on the set of The Single Standard. 

I first realized Costume Design was an occupation while watching Greta Garbo in the 1920s film, A Single Standard. Adrian’s costumes succinctly captured a free-thinking, strong-willed character through her louche, striped pajamas. The casual, masculine silhouettes with a nautical flair were antithetical to women of the time, a radical rethinking of the uniform women were expected to wear. I was mesmerized. 

Anna Wyckoff, editor-in-chief, The Costume Designer: The Official Magazine of the Costume Designers Guild.

Adrian (1903-1959) designed costumes for over 250 films from the 1920s through 1941. He’s known for such iconic films as The Women (1939), Camille (1936), and The Wizard of Oz (1939). Adrian worked with many a film superstar including Joan Crawford, Jean Harlow, and Katharine Hepburn.

Despite Adrian’s popularity and success in Hollywood, he was never nominated for an Oscar.

Speaking of the Oscars – they are fast approaching. Sunday, March 4th.

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Jane Birkin Lights Up Christmas Tree

… when I first went to Paris as a teenager, I could always spot other English girls because we put everything together so badly. French women start with the same ingredients, but they make better use of them. They were always so beautifully turned out with their velvet headbands and clip-on pearls, a scarf casually tossed over their shoulder. But after the counterculture swept through Europe, it became chic to wear whatever you liked, and it was our chance to laugh at the French girls. You’d see photos of Julie Christie coming down her front steps wearing a raincoat  over her pajamas with gum boots, spectacles perched at the end of her nose. It was so unpretentious – and so very English. It’s impossible to be stylish without confidence, you see. 

Jane Birkin – British actress and model.

I’d love to see an example of a British woman back in the day who styled herself so badly and a French woman who did it so perfectly.

Ms. Birkin is known for her effortless style. She sported a basket as a handbag back in the 1960s, which eventually inspired the Hermes Birkin Bag and she has made “borrowing from the boys” look tres chic for the ladies.

Speaking of European style, lately several women have complimented me by saying, “Your style is very European.” I think what they meant is that I have a put together look – my outfits are intentional and cohesive. That’s not at all American but perhaps it is European.

What American fashion strives for is more like Ms. Birkin’s effortless sporty look. I love that, when it works. Making it work, like she says, takes confidence and some instinct for fashion.

My style is vintage inspired with a modern twist here and there. Whatever I’m sporting for the day, a simple a-line dress or a pair of cords, I usually top it with a hat of some kind and that gives any outfit a vintage feel. I often tie a scarf around my neck, which adds interest, and my jewelry ranges from Victorian to Art Deco to 1950s kitsch. To make the look a little more modern, I’ll add a trendy item such as a hoodie.

Effortless is it not. I put a fair amount of thought into what I wear but that’s what makes fashion fun for me.

 

 

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