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When an item of clothing enters our collection, its status is changed irrevocably. What was once a vital part of a person’s lived experience is now a motionless ‘artwork’ that can no longer be worn or heard, touched, or smelled. The exhibition endeavors to reanimate these artworks by re-awakening their sensory capacities through a diverse range of technologies, affording visitors sensorial ‘access’ to rare historical garments and rarefied contemporary fashions. By appealing to the widest possible range of human senses, the show aims to reconnect with the works on display as they were originally intended—with vibrancy, with dynamism, and ultimately with life.

Andrew Bolton, Curator in Charge, The Costume Institute.

Mr. Bolton is speaking about Sleeping Beauties: Reawakening Fashion, the current exhibition on at The Costume Institute.

And of course today is the first Monday in May, which means … it’s the day of the Met Gala!

The Met Gala has become way too much of a circus for me, even just visually. Every year it’s more and more extreme and outrageous. Last year actor Jared Leto showed up in a giant white cat suit (a nod to Karl Lagerfeld’s cat). Yes it was amusing, but why can’t we just stick to beautiful clothes? All this unnecessary spectacle takes away from what should be the focus.

The Upside-Down Rose Hat by Philip Treacy is part of Sleeping Beauties. Photo: Steven Meisel.

As for the exhibit, the descriptions are somewhat complicated yet intriguing. According to an article in Vogue (May, 2024), Sleeping Beauties is featuring only clothing from The Costume Institute’s own collection (of 33,000) and 75 pieces are new acquisitions, including a gown by Christian Dior and a headpiece by Philip Treacy. Using technology, some of the oldest and most fragile pieces in the collection will be “reanimated” and presented in such a way as to give the viewer a feel for how the garment was worn – in what environment, how did the wearer stand, what scents were in the room.

The idea behind Sleeping Beauties is that attendees will have an immersive experience that will include not just sight, but also sound, touch, and smell.

One of the consultants hired for the exhibition is Sissel Tolaas, a chemist and expert on scents. She has spent the last year studying the fragrances connected to garments included in the exhibition. Apparently, attendees will be able to catch a whiff of the “fragrance elements” associated with the various garments on display, not just perfume but the body of the wearer “her habits, her culture, her rituals, the foods she ate,” explains Tolaas.

Does this pique your interest? Sleeping Beauties: Reawakening Fashion is on May 10 through September 2, 2024 at The Costume Institute in New York City.

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Photo by Tembela Bohle on Pexels.com

I was in front of the mirror trying on a coat when I saw someone trying to edge in and I turned around and it was Julianne Moore. I was flabbergasted. I just thought to myself – You don’t need to be here.

Lynette Nylande – British writer and editor.

Nylander was speaking to Elle magazine (Feb. 2024 issue) about The Row sample sale in New York City.

Everyone, EVERYONE loves a deal. According to Elle, designer sample sales are usually a rare occurrence. But in the past year, brands such as The Row, Khaite, and Comme des Garcons have been unloading their extra inventory at as much as 80 percent off the retail price. Sounds great! Except the crowds are a nightmare with over 1000 people waiting just to get in the door. (And then of course there’s Julianne Moore edging into other people’s space. Sheesh!)

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The other day I pulled out a merino wool handbag that I don’t carry very often, but I love it for spring, especially Easter. It was made in Ireland by Boyne Valley Weavers and actually, I have two – one in vibrant purple and one in natural. I think this color is a standout.

Something else unique about this bag, the satin bow tie. How charming is that? I remember my mother telling me that I had to tie the ribbon as that’s what made the bag unique. I agree, and so I always do tie the ribbon into a nice big bow.

Bows are huge this season. Designers were showing bows all over the runways and now we see them on shoes, barrettes, gloves, embroidered onto fabric, anywhere a bow can go. So, I’ll do my subtle nod to the trend with my wool handbag from Ireland.

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We should stop and really consider what it is that we’re wearing every day. And how we came by it and what it means to us, and what we are saying through what we’re wearing.

Professor Dilys Williams – Professor of Fashion Design for Sustainability, London College of Fashion.

It’s Fashion Revolution Week! This is an annual event that recognizes the anniversary of the 2013 Rana Plaza collapse in Bangladesh, where 1,100, mostly women seamstresses, died and 2,500 people were injured. FRW is a movement that seeks to raise our awareness of what’s really going on in clothing/fashion industry.

This week is an opportunity for all of us to think about our fashion and clothing choices. Where and how can we cut back? I believe what we wear matters and I’m taking Professor Williams’ quote seriously. Particularly, what we are saying through what we’re wearing?

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This week I attended something fun – Sustainable Fashion Workshop – hosted by Sustainable Walnut Creek. It’s a well known fact that clothing production is a significant contributor to climate change; there’s currently a movement to buy fewer new pieces and thrift shop instead or use what we already have in our closets.

Around twelve of us showed up for the Sustainable Fashion Workshop at the Downtown Walnut Creek Library to hear about and discuss ways to reuse, repair, repurpose, and recycle our clothing. Ellie (SparkEllie on Facebook) led the discussion and offered advice. Some attendees brought in pieces they needed help repairing or repurposing and others came for inspiration. Ellie contributed a large bag of fabric scraps that we all enjoyed sifting through. Among the gathering of likeminded people was a five-year-old girl who quickly put together a pile of fabric and set to work designing something for herself. (Her enthusiasm was delightful to see.)

A local Walnut Creek resident found just the right white cotton ruffle to add to the bottom of a t-shirt. I asked for advice on mending a sweater with rips under the arms and got several great ideas.

If this is of interest to ODFL readers there’s another Sustainable Fashion Workshop coming up on Monday, April 15, 5-6:30 at the downtown Walnut Creek Library.

Do you have some clothing that could use a little TLC? Want to refashion some of your wardrobe? Just need some inspiration? I recommend popping into the Sustainable Fashion Workshop to meet some really nice people who also want to help save the earth, one item of clothing at a time.

It’s free! Click here to register.

This workshop is just one event in April to celebrate Earth Month. Among the list of fun is the Earth Day Celebration and a sustainable fashion show on Saturday, April 20th at Walnut Creek Civic Park, 11-4.

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I remember walking in and just being hit with the sense – Oh my god, they’ve bottled this. They have absolutely crystalized everything that I hate about high school and put it in a store.

Moe Tkacik – American journalist.

Tkacik is speaking about her experience at the retail store Abercrombie and Fitch in the documentary White Hot: The Rise and Fall of Abercrombie and Fitch.

Once I walked into the A&F located in the Westfield Mall in downtown San Francisco. It was loud and it was dark and I walked right back out.

I just watched this fascinating documentary and there’s quite a story to A&F – the rise under CEO Mike Jeffries – financial success – illegal business practices – mottos such as “we go after the cool kids.” Apparently, corporate managers really did not want what they considered unattractive people to work in their stores or even to buy their clothes.

Did you know that A&F was originally a sporting goods store? It opened in 1892 and sold everything outdoorsy – golf clubs, tennis rackets, camping gear, hunting rifles, sports clothing, and so on. When business declined in the 1980s, Limited Brands bought A&F and revamped it, selling an American collegiate look to teenagers. It was a huge hit, until it wasn’t.

As I said, this is quite a story! White Hot is currently streaming on Netflix.

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You learn to write by writing, and you learn to write about fashion by writing about fashion.

This is a quote from the recently published book Fashion Writing: Journalism and Content Creation, by Josephine Collins and Stephen Spear (Laurence King Publishing).

I certainly learned to write by writing, although, I studied it as well. After reporting and writing feature stories for a variety of publications, I slowly turned my interest in fashion into my primary focus.

Fashion Writing: Journalism and Content Creation offers an overview of the current landscape of fashion writing, and a thorough guide to the many options available to aspiring writers, as well as what it takes to succeed. I wish I had a book like this when I was starting out.

In their introduction, Collins and Spear discuss what traditional journalism was and what it is today. Then in six chapters they explain the particulars of fashion writing:

  • Context
  • Fundamentals
  • Product
  • People
  • Inspiration
  • Content and the New Fashion Journalism

Each chapter ends with a Q&A with a professional in the business, including luminaries such as NYT fashion columnist Vanessa Friedman and freelance fashion writer Luke Leitch. Collins and Spear provide tips on researching, interviewing, note taking, and how to write a feature. I was particularly impressed with Chapter 3, which covers what you need to know about fashion to write about it – silhouettes, fabrics, assessing a collection, seasons, and trends.

Chapters are color coded and include photos and images. An index, a glossary, and a list of resources for further reading completes what could be considered a manual. Read it cover to cover and this book is like taking a class. Any student, aspiring fashion writer, or even someone already writing about fashion will greatly benefit from Fashion Writing Journalism and Content Creation. I have!

(ODFL thanks Laurence King Publishing for providing a review copy.)

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Image courtesy of the Fine Arts Museums of San Francisco.

Congratulations to the de Young Museum and Laura Camerlengo, Associate Curator of Costume and Textile Arts at the Fine Arts Museums of San Francisco for their latest fashion exhibition, Fashioning San Francisco: A Century of Style, open now through August 11, 2024.

There has been much anticipation among the local fashion crowd for this exhibition that features over 100 high and couture fashion pieces worn by prominent SF Bay Area women and created by top designers including:

  • Lucile
  • Jeanne Lanvin
  • Rei Kawakubo
  • Christian Dior
  • Vivienne Westwood
  • Christopher John Rogers
  • Alexander McQueen 
  • and many more – more than 50.

The Fine Arts Museums has an impressive and extensive collection of 20th and 21st century women’s fashions thanks to generous donations by Bay Area women. This is the first time in more than 35 years that pieces from the collection have been shown. Additionally there are pieces loaned to the exhibit by locals including Sherri McMullen, East Bay resident and owner of McMullen, an Oakland boutique named by Vogue and Women’s Wear Daily as among the premiere fashion retailers in the country.

Christopher John Rogers, 2021. Image courtesy of the Fine Arts Museums of San Francisco.

I was disappointed to have missed the Press Preview, but did I attend the Members Preview Day and I appreciated getting a different perspective. There was a certain excitement in the air and I enjoyed hearing people’s comments and reactions as well as chatting with fellow fashion enthusiasts, including Lee, a Bay Area resident who as a designer herself was interested in taking a close look at construction. She pointed out to me that a 1955 Dior dress has zippers underneath the sleeves.

Backed by lightweight curtains with subtle architectural designs, Fashioning San Francisco is divided into seven sections that smoothly transition from one to the next: after the 1906 earthquake, the little black dress, suits, global influences, fashion as art, formal wear, and a small collection of shoes.

While attendees moved from section to section a soundtrack of mid-century standards played in the background. I asked fellow attendee, Aldona what she thought of the music and she said that she hadn’t noticed. After listening for a moment she commented, “It’s like we’re at a party.” It did feel like a party and suddenly I craved a cocktail.

“Junon” Christian Dior, 1949. Image courtesy of Fine Arts Museums of San Francisco.

But we were already giddy looking at the dazzling fashions surrounding us. Particularly in the formal wear section, where two well-known evening gowns by Christian Dior – Junon and Venus – with their fairytale sparkle called out to the crowd.

I was also drawn to the suits and one that caught my eye was a 1999 John Galliano for Dior: wool slacks and a jacket designed to wear backwards. I would have loved to have seen it from the back. Another Galliano that I liked was an ensemble with a short black jacket that had unexpected cutout detail on the sleeves.

John Galliano jacket, 1996. Love that detail!

Something new (at least to me) was the use of two levels of mannequin displays, called “balconies” one on top of the other. I liked the simplicity and use of space, plus it felt fresh and it offered viewing from a distance – why not bring opera glasses? Also new and great fun is Snap AR Activation, which allows attendees to “try on” some of the couture in the exhibit. Stand in front of a screen and like magic it will drape your reflection in a beautiful gown. (Don’t miss it – it’s located downstairs from the main exhibit.)

Well-Suited. The John Galliano for Dior suit I mention is center bottom. Image courtesy of the Fine Arts Museums of San Francisco.

For a deeper dive, Laura Camerlengo has edited a 336 page catalogue that accompanies this exhibit and includes detailed images, information about who owned and wore some of the pieces, and essays by fashion historians.

The exhibition catalogue is available in the museum shop.

I walked through the exhibition three times and could have circled again and again and still spotted something I didn’t see before and that’s a good reason to buy the book.

Fashioning San Francisco: A Century of Style is a fashion feast. Don’t miss the party. Click here for tickets.

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After The Ball: Formal Wear in the Big City is one of the sections of Fashioning San Francisco: A Century of Style on now at the de Young Museum. Image courtesy of the Fine Arts Museums of San Francisco.

Opening night gives San Francisco a chance to get the fashion jump … and the well-dressed women make the most of their chance.

A quote from an article in Life magazine, 1952.

Check back tomorrow for my review of Fashioning San Francisco: A Century of Style.

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Britex Fabrics located on Post Street in downtown San Francisco has big news! They have relaunched their website. The new and improved site now has helpful features such as:

  • Personal Swatch Shopper – Fill out the Swatch Request Form and Britex staff will provide swatches for $2 each plus shipping. This service offers access to additional fabrics that aren’t available online.
  • Project Manager –  Any sewing project can be overwhelming and Britex is available online to help. Fill out their questionnaire about your project and get instant guidance.
  • Britex Glossary – An A to Z list of fabrics, their weave and how they perform. (This is super handy, informative, and even fun.)

A local treasure since 1952, Britex has always been and still is family run. It’s the go-to shop for all kinds of quality fabrics from silk to tweed, twill to knit and everything in between. The button section is famous for its selection – novelty, classic, vintage, glass, wood, rhinestone you name it. Plus there are the notions and tools that every sewist needs to do the job right. I bought my first pair of serious scissors there as well as ribbon and buttons and silk flowers for various projects. But I live now in the deep suburbs and it’s not always easy for me to get to the city. So, I appreciate having access to fabrics as well as expert advice just a click away.

Do you have a sewist on your holiday gift list? Consider a Britex gift certificate.

Thank you, Britex for helping to make all of our sewing dreams come true!

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